
London born —Irish & US national—Michael Morris and the late —Tokyo, Japan native— Yoshiko Sato both trained in the fine arts prior to studying architecture at The Cooper Union . After graduating in 1989, the pair began teaching at architecture and fine art colleges, completed their professional training and their post-graduate studies ( in Ireland and at Harvard respectively), and concurrently engaged in research, competitions, exhibitions, and installations. In 1996 the husband-and-wife opened their transdisciplinary architecture firm in New York City.

Morris Sato Studio work is widely noted for its 'otherworldly' projects and pursuits that infuse temporal and spatial dimensions with equal parts —material, light and air, combining formal restraint, exacting craft and innovative methods with refined detailing that intends to create an evidence of 'aura'. In 2006, while teaching at Columbia GSAAP the partners launched their Studio's celestial research arm —SEArch (Space Exploration Architecture - now SEArch+ www.spacexarch.com to connect, investigate, and explore life on and beyond the Earth.
LightShowers, an immersive installation inspired by medical research at Columbia Presbyterian Hospital, integrates 'bio-feedback' technology with video images of nature. This temporary multimedia presentation, a 'touchstone' of the Studio's research, aims to seamlessly align architecture, art, design, lighting, construction, and technology, to holistically serve human health and wellbeing . LightShowers was presented in art museums, galleries, and biennale expositions on 3 continents over a 3 years and was experienced by over 150+ thousand visitors.

In designing for "a world that is already full", Morris Sato Studio critically engages in ground-up opportunities, adaptive reuse, and historic preservation projects. In conversing with the past and learning from 'ready-made' environments, the Studio considers addition and subtraction as co-equal operations in dynamically responding to present and future ecologies through integration of the old and the new with progressive action and global aspiration to 'heal by design'.



Morris Sato interior's often employ the Japanese-Chinese 'borrowed landscape' garden principle to synchapate light, air, matter, texture, and colour with the environments beyond.

By extending the 'borrowed' principle into public exteriors the Studio's process is akin to a gardener's in cultivating all of the senses, fusing the natural, the man-made, with the ephemeral.

Recognizing our climate emergency, Morris Sato is committed to implementing the UN's Sustainable Development Goals in support of all life forms and communities around the globe.

Morris Sato Studio is particularly renowned for numerous permanent and temporary art museum installations and exhibitions, including galleries, archives, and administrative offices.

The commercial spin-offs of Morris Sato’s extensive art museum productions are notable trade show pavilions, showrooms, medical and hospitality spaces, products,and facilities.

In multiple corporate commissions, Morris Sato dynamically narrates history, products, and branding into accessible public displays and executive interior spaces.

Morris Sato Studio is committed to innovating and improving existing and next-generation medical facilities as places for healing and wellness on Earth and beyond.


Cultivating meaningful, purposeful, and healthy places, Morris Sato equally strives to make the experience of spaces and things accessible, inclusive, and welcoming to all.








VIDEO : YN-13 HOUSE









NEW YORK - DUBLIN
+1.212.228.2832 / 9179451880 USA +353 0833619986 IRL / WhatsApp
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.